Manchester’s Elizabeth Vince first came to my attention as a member of Laekyn, an electronica outfit that dealt in downbeat digitalism. Vince’s ethereal and lovelorn vocal work stood out… so news that she would be releasing a debut solo EP left me intrigued.
Our Loving Cage is certainly a rich canvas of ambience and glacial beats, it’s defining moment I Was All I Was is a beautiful composition of shimmering synths and industrial glitch. Vince’s tender and fragile voice finding strength towards its climax.
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‘Our Loving Cage’ EP is available to download here: http://elizabethvince.bandcamp.com/
Kyoko Swan, lead singer with Manchester’s The Louche has the potential to be one of the greats: her live performances are both beautiful and brave, her songwriting as good as any of her contemporaries.
Previous releases Salt and Romantic are the kind of songs that have the capacity to steal hearts and minds. Behind the scenes however, the band have faced difficulties and upheaval. A fiery relationship nearly destroyed The Louche from within. I almost lost hope that they would return to us.
…But after darkness must come light. A renewed line-up and a headline show at Soup Kitchen with friends Father Sculptor and Emperor Zero left me speechless. I can honestly say that my excitement for the new material has reached orgasmic levels: they were simply incredible.
Which brings me to this stunning remix of Hands, recently revealed by From The Kites of San Quentin. Built around Kyoko’s voice, Kites deliver beautifully composed soundscapes of dark atmosphere and industrial texture: this is exactly the kind of forward thinking electronica that Manchester deserves.
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The original version is available to download free here:
From the Kites of San Quentin are due to return in July with a new EP titled 7.83Hz Earth Chorus on Victoria Warehouse Records